The Crossroads: The End of World War II, the Atomic Bomb and the Origins of the Cold War (Proposed exhibition) Office of the DirectorĮnola Gay (Exhibition) (1995-1998: Washington, D.C.) Keywords Keywords table of terms and types. Mike Fetters, a spokesman for the National Air and Space Museum, where the Enola Gay will be exhibited, said the 'script,' which is the text of the exhibit, was distributed to veterans groups and.
#Enola gay exhibit script professional#
Some materials document projects and professional activities undertaken by Harwit after his resignation.
In 1996, Harwit published the book "An Exhibit Denied: Lobbying the History of Enola Gay." Materials include correspondence, exhibition floor plans, Congressional hearing statement, articles, clippings, notes, brochures, and related materials. After his resignation, Harwit continued to collect clippings and journal articles related to the "Enola Gay" and its exhibition. On June 28, 1995, "Enola Gay" was presented as a fact-based exhibition with little interpretation and significant emphasis on the aircraft's restoration.
On January 30, the exhibition was cancelled and Harwit resigned as Director on May 2, 1995. Each version of the script was met with controversy, particularly from veterans groups. The exhibition was retitled "The Last Act: The Atomic Bomb and the End of World War II" and the script underwent several major revisions through January 1995. A script for "The Crossroads: The End of World War II, the Atomic Bomb and the Origins of the Cold War" was released for comment in January 1994. To the Smithsonian, the Enola Gay was instrumental in events that changed our world.This accession consists of records created and maintained by Martin Harwit, Director of the National Air and Space Museum (NASM), 1987-1995, documenting plans to exhibit the "Enola Gay" and the resulting controversy. Thefirst section was to deal with Japanese invasions and the attack on Pearl Harbor.The next would explain the decision to drop the Atomic Bomb.The third was to focus on the handling of the bomb from the secret factories to the loading onto the plane.The fourth section was intended to reveal the horrible destruction of Hiroshima and Nagasaki after they were bombed, and the final section of the exhibition was scheduled to discuss the problems of nuclear weapons and the arms race that followed the war. The exhibition was supposed to contain five controversial narrative sections. The question was whether the Smithsonian Institution's exhibition of Enola Gay was non-biased, or if, instead, it was intended as an instrument of propaganda.This dispute and various other events led to the controversy over the Enola Gay exhibit and its eventual cancellation. Those who opposed the exhibit, however, were concerned with the credibility and the message it was trying to send. The Smithsonian wanted to make Americans and those who saw the exhibit reevaluate their understanding of World War II. The controversy surrounding the Enola Gay exhibit stems from disagreements between the Smithsonian, historians, members of Congress, veterans, and those who were there for the event that shook the world. Michael Heyman, Secretary of the Smithsonian, had a vision of creating an exhibit that would inspire people to have more profound discussions about the atom bomb.A script was written to point out the different phases that took place before the decision to drop the bomb and the aftermath of that decision. This exhibition describes the war between Japan and the United States and its allies, the building of the atomic bomb, the decision to use it, the military effort to carry out that mission, the effects of the bombing, and the surrender of Japan. In 1995, the Enola Gay exhibit was intended to open for the 50th anniversary of the day the Atomic Bomb was dropped on Japan. * All Partners were chosen among 50+ writing services by our Customer Satisfaction Team